<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Greetings Autonogram-subscribers,</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Hot on the heels of a series of occupations (California! Vienna!), and just in time for celebrating the 70<sup>th</sup> anniversary of the Great Stock Market Crash of October 29<sup>th</sup>, 1929, we have several new books and a number of events and things to announce. Capitalism: did it jump or was it pushed? You decide. But now, for the announcements:</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">1. Toward A Global Autonomous University: Cognitive Labor, The Production of Knowledge and Exodus From The Education Factory, edited by the Edu-factory Collective, released</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">2. Imaginal Machines: Autonomy & Self-Organization in the Revolutions of Everyday Life by Stevphen Shukaitis released</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">3. Ideology of Design Reader, and Exhibition, Novi Sad, October 23<sup>rd</sup> – November 23<sup>rd</sup> </div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">4. Upcoming bookfairs and events</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">+++</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">1. Toward A Global Autonomous University: Cognitive Labor, The Production of Knowledge and Exodus From The Education Factory</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Edited by the Edu-factory Collective</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">What was once the factory is now the university. We started off with this apparently straightforward affirmation, not in order to assume it but to question it; to open it, radically rethinking it, towards theoretical and political research. The Edu-factory project took off from here… Edu-factory is, above all, a partisan standpoint on the crisis of the university… The state university is in ruins, the mass university is in ruins, and the university as a privileged place of national culture – just like the concept of national culture itself – is in ruins. We’re not suffering from nostalgia. Quite the contrary, we vindicate the university’s destruction. In fact, the crisis of the university was determined by social movements in the first place. </div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">This is what makes us not merely immune to tears for the past but enemies of such a nostalgic disposition. University corporatization and the rise of a global university… are not unilateral impositions or developments completely contained by capitalist rationality. Rather they are the result – absolutely temporary and thus reversible – of a formidable cycle of struggles. The problem is to transform the field of tension delineated by the processes analyzed in this book into specific forms of resistance and the organization of escape routes. This is Edu-factory’s starting point and objective, its style and its method. </div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Contributors include Toni Negri and Judith Revel, Andrew Ross, Stefano Harney and Fred Moten, George Caffentzis and Silvia Federici, Naoki Sakai and Jon Solomon, Eileen Schell, Amit Basole, Carlo Vercellone, the Counter Cartographies Collective, Jason Read, Randy Martin, Xiang Biao, James Arvanitakis, Marc Bosquet, Vidya Ashram, Aihwa Ong, and many more.</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; "><a href="http://bookstore.autonomedia.org/index.php?main_page=pubs_product_book_info&products_id=635">http://bookstore.autonomedia.org/index.php?main_page=pubs_product_book_info&products_id=635</a></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">+++</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">2. Imaginal Machines: Autonomy & Self-Organization in the Revolutions of Everyday Life</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Stevphen Shukaitis</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; text-align: justify; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; text-align: justify; font: normal normal normal 12px/normal Garamond; ">All power to the imagination? Over the past forty years to invoke the imagination as a basis for radical politics has become a cliché: a rhetorical utilization of ideas already in circulation, invoking the mythic unfolding of this self-institutionalizing process. But what exactly is radical imagination? Drawing from autonomist politics, class composition analysis, and avant-garde arts, Imaginal Machines explores the emergence, functioning, and constant breakdown of the embodied forms of radical imagination. </div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; text-align: justify; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; text-align: justify; font: normal normal normal 12px/normal Garamond; ">What does it mean to invoke the power of the imagination when it seems that the imagination has already seized power through the power of the spectacle? Does any subversive potentiality remain? Perhaps it is only honest to think in terms of a temporally-bounded subversive power. It might be that imaginal machines only work by breaking down. That is, their functioning is only possible, paradoxically, by their malfunctioning. By reopening the question of recuperation, the inevitable drive to integrate the power of social insurgency back into the working of capital and the state, we create possibilities for a politics continually reconstituted against and through the dynamics of recuperation: to keep open an antagonism without closure. </div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">“Imaginal Machines explores with humor and wit the condition of art and politics in contemporary capitalism. It reviews the potentials and limits of liberatory art (from surrealism to Tom Waits) while charting the always-resurgent creations of the collective imagination. Shukaitis exhibits a remarkable theoretical breadth, bringing together the work of Castoriadis, the Situationists, and autonomous Marxism to define a new task for militant research: constructing imaginal machines that escape capitalism. Imaginal Machines is truly a book that makes a path by walking.” – Silvia Federici, author of Caliban and the Witch: Women the Body and Primitive Accumulation</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">“If you have ever had someone say to you, ‘okay it’s fine to criticize but what would you do?’ this is the book for you. Shukaitis takes us on a raucous ride through actually existing alternative organizations that are anarchic, loving, fun, and best of all they work. We meet people and organizations who imagine a completely different way of being together in the world. And we are never far from a sophisticated theoretical travelogue as we walk these roads with the author. What would you do? Try this, and this, and this!” – Stefano Harney, Chair in Strategy, Culture, and Organization, University of London</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Stevphen Shukaitis is an editor at Autonomedia and lecturer at the University of Essex. He is the editor (with Erika Biddle and David Graeber) of Constituent Imagination: Militant Investigations // Collective Theorization (AK Press, 2007). His research focuses on the emergence of collective imagination in social movements and the changing compositions of cultural and artistic labor. </div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; "><a href="http://bookstore.autonomedia.org/index.php?main_page=pubs_product_book_info&cPath=71&products_id=636">http://bookstore.autonomedia.org/index.php?main_page=pubs_product_book_info&cPath=71&products_id=636</a></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">A series of events are planned for release of Imaginal Machines including in Edinburgh (November 1<sup>st</sup>), Vienna (November 26<sup>th</sup>) and other to be announced shortly. For more information check at <a href="http://www.minorcompositions.info">http://www.minorcompositions.info</a>.</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">+++</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">3. ID: Ideology of Design October 23<sup>rd</sup> – November 23<sup>rd</sup>, 2009</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Kuda, Novi Sad & Autonomedia, New York Announce “ID: Ideology of Design”</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">ID: IDEOLOGY OF DESIGN</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">by New Media Center_kuda.org</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">October 23<sup>rd</sup> –November 23<sup>rd</sup>, 2009</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Museum of Contemporary Art of Vojvodina</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Dunavska St. 37, Novi Sad</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Opening of the exhibition: Friday, October 23<sup>rd</sup> </div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">In what way are design practices perceived and understood today and in what way can one follow their crucial development during the last decades of the 20<sup>th</sup> century and their connections with artistic practices and critical discourses?</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Planning for mass production, graphic design, industrial design, design of environment, advertising, interior design, fashion design etc. are but some of the determinants of this complex discipline of culture.</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Whether we examine its development in socialism or capitalism, design is always in close and dynamic connection with the economic and productive bases of society, building different and/or specific relationships of man with material culture. The object of researching and Ideology of Design exhibition are theories and practices (of industrial and graphic) design that were taking place during almost half a century of the socialist Yugoslavia, and their wider social and ideological context.</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Design is a pregnant and highly interdisciplinary field which includes achievements from culture, science, architecture, technology and artistic practice, and thus represents a fertile soil for sociological and philosophical discussions on technology and market, about the social and political-economical dynamics and the labor process. A special aspect of the project was set on discussions and practices led at the time of socialist Yugoslavia which tried to define the role of design in a (non-)market socialist economy, its functionalism and its being conditioned by the market, or its social engagement, and the role of design in forming a new relationship of man with material objects, a new way of life towards establishing a classless human community.</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Developing progressive, critical and contradictory positions, design was simultaneously presented a symbol of a post-war reconstruction of a country under the wing of industrialization and liberation of man from material privation, but as decades went by it played more and more one of the main roles in building a socialist market society.</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Research work, exhibition and publications of the Ideology of Design deal with contextualization of contradictory processes refracted through theory and practices of design and, parallel to this, the way by which different ideologies of design and visual identities were created in the first post-war period of forming Yugoslavia, then during the tempestuous 1960s and 1970s until the very end when this community ceased to exist. Also, this project re-examines the chance to create a relationship between critical and historical practices of design and contemporary design, which is more and more seen as something belonging to the exclusively commercial aspect of creative industries, which, refracted through an ideological prism of neoliberal capitalism preserve the exploiting relationship regarding creativity and the creative person. In this sense, a question arises: Is it possible today to observe and practice design outside of the dominant functionalist principles and the market-dictated production and consumption, and to develop their engaged dimension in creating more humane social relations, i.e., is it possible to conduct politicization of design practices during “transition” times?</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Ideology of Design is comprised of a couple of entireties, and of those didactic exhibition stands out, with the represented:</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">– Video recordings – interviews – with some of the most important protagonists of the Yugoslav theory and practice of design and history and art criticism, and among them are Jerko Denegri and Branko Vu<span style="font: 12.0px Times New Roman">č</span>i<span style="font: 12.0px Times New Roman">č</span>evi<span style="font: 12.0px Times New Roman">ć</span> from Belgrade, Matko Meštrovi<span style="font: 12.0px Times New Roman">ć</span> and Fedor Kritovac from Zagreb, Stane Bernik from Ljubljana and Branislav Dobanova<span style="font: 12.0px Times New Roman">č</span>ki from Novi Sad. The series of interviews realised for the Ideology of Design project will be joined with an interview with Ivan Picelj, a graphic designer from Zagreb, on the occasion of the anniversary of Helvetica type, which was realised by Dragan Mileusni<span style="font: 12.0px Times New Roman">ć</span> and <span style="font: 12.0px Times New Roman">Ž</span>eljko Serdarevi<span style="font: 12.0px Times New Roman">ć</span>, a designer couple from Zagreb.</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">– In a joint production, Zagreb designer Dejan Krši<span style="font: 12.0px Times New Roman">ć</span> and Center_kuda.org within the exhibition present a subjective timeline to the practices of industrial and graphic design, and institutional and alternative frameworks of design practices related to the paradigmatic social political and economical events in the socialist Yugoslavia.</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">– Spatial intervention of two art and designers’ collectives, Metahaven from Holland and Société Réaliste from France.</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">– “Total design” of the exhibition is completed by the mobile and modular furniture “Z” blocks made after the design of NAO – Normal Architecture Office and Sr<span style="font: 12.0px Times New Roman">đ</span>an Jovanovi<span style="font: 12.0px Times New Roman">ć</span> Weiss from Philadelphia, USA.</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">– Workshops and educational-collaborative programmes will be organised and realised by two Novi Sad initiatives of young generation designers - Open Design Studio and A3.Format project.</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">– Public discussions and presentations will be organized during the one month of the exhibition, with some of the protagonists from contemporary scene of design theory and practice, such is design theorist Fe<span style="font: 12.0px Times New Roman">đ</span>a Vuki<span style="font: 12.0px Times New Roman">ć</span> from Zagreb, designer and writer Dejan Krši<span style="font: 12.0px Times New Roman">ć</span> from Zagreb and Borut Vild – designer from Belgrade. Precise program of the public discussions will be announced in the following days.</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">– Reader – </div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Apart from the spoken program that takes place during the exhibition, the discursive platform of the project is completed by the bilingual reader containing 13 collected essays that provide a theoretical insight into the project theme published by Autonomedia from New York. Among the authors of the essays you will find the works of: Jean Baudrillard, Igor Chubarov, an interview with Jerko Denegri, Branislav Dimitrijevi<span style="font: 12.0px Times New Roman">ć</span>, Hal Foster, Dejan Krši<span style="font: 12.0px Times New Roman">ć</span>, Nenad Maleševi<span style="font: 12.0px Times New Roman">ć</span>, Metahaven, Borislav Mikuli<span style="font: 12.0px Times New Roman">ć</span>, Barbara Predan, Jacques Rancière, Fe<span style="font: 12.0px Times New Roman">đ</span>a Vuki<span style="font: 12.0px Times New Roman">ć</span> and WHW collective, editor: Branka <span style="font: 12.0px Times New Roman">Ć</span>ur<span style="font: 12.0px Times New Roman">č</span>i<span style="font: 12.0px Times New Roman">ć</span>, ISBN 978-1-57027-209-7, design of the reader: Peter Gregson Studio, Novi Sad</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">ID: Ideology of Design is an integral part of a long-term research project called Art Always Has Its Consequences, and four organizations are cooperating in this project: WHW from Croatia, tranzit.hu from Hungary, Museum Sztuki from Poland and Centar_kuda.org from Serbia in the period between 2008 and 2010. The project is dedicated to creating and distributing new discoveries and knowledge about paradigmatic socially engaged practices in art and design in the region and in the Eastern Europe, including their relationship with the wider European context in the past and now. Also, the exhibition is a part of the Individual Utopias Now and Before project which is realized in cooperation with SCCA/pro.ba from Bosnia and Herzegovina and T.I.C.A. from Albania.</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; "><a href="http://www.kuda.org/en/id">http://www.kuda.org/en/id</a></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; "><a href="http://www.artalways.org">http://www.artalways.org</a></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; "><a href="http://www.pro.ba/bs/utopije">http://www.pro.ba/bs/utopije</a></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">+++</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">4. Upcoming Bookfairs & Events</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Autonomedia will be tabling at a number of events and bookfairs in the coming months. Here are some of the upcoming events:</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">– Edinburgh Independent Radical Book Fair 2009 (UK), October 28<sup>th</sup> – November 1<sup>st</sup> (<a href="http://www.word-power.co.uk">http://www.word-power.co.uk</a>)</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">– The Internet as Playground and Factory, November 12th – 14<sup>th</sup>, New School, NYC (<a href="http://digitallabor.org">http://digitallabor.org</a>)</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">– Deleuze & Activism conference (UK), November 12<sup>th</sup> – 13<sup>th</sup> (<a href="http://www.cardiff.ac.uk/encap/newsandevents/events/conferences/deleuze/index.html">http://www.cardiff.ac.uk/encap/newsandevents/events/conferences/deleuze/index.html</a>)</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">– Historical Materialism (UK), November 27<sup>th</sup> – 28<sup>th</sup> (<a href="http://mercury.soas.ac.uk/hm/conference2009.htm">http://mercury.soas.ac.uk/hm/conference2009.htm</a>)</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">That is all for now, me thinks. More to follow shortly. Wishing you all a lovely Halloween and a delightful day of the dead.</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Cheers + solidarity,</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">Stevphen</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; min-height: 13px; "><br></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">--</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; ">:: Autonomedia:: Seditious & Delicious ::</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; "><a href="http://www.autonomedia.org">http://www.autonomedia.org</a></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; "><a href="http://info.interactivist.net">http://info.interactivist.net</a></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal Garamond; "><a href="http://www.myspace.com/autonomedia">http://www.myspace.com/autonomedia</a></div><div><font class="Apple-style-span" face="Garamond"><br></font></div></body></html>