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      <big><span style="font-family:Garamond;
          color:black">Greetings Autonogram Subscribers,<o:p></o:p></span></big></big><!--[if gte mso 9]><xml>
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          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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          style="font-family:Garamond;
          color:black">It’s June again with the school year nearing its
          end, while in
          Quebec students continue to carry on their unlimited general
          strike (which has
          gone on for well over 100 days now). Both of those events call
          out for some
          hope and joy, and an update on recent publications and news
          from Autono-land.
          Without further delay, here they are:<o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          font-variant:small-caps;color:black">1. New Titles: 19 &
          20: Notes for a
          New Social Protagonism; The El Martillo Project; Walking
          Archives: The Soy
          Children; Occupy Everything! Reflections on why it’s kicking
          off everywhere;
          Plastic Factory; and Punkademics.<o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 2.0in;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">2. <span style="font-variant:small-caps">Punkademics
            Release Event<span style="mso-tab-count:1">            </span><span
              style="mso-tab-count:1">            </span><o:p></o:p></span></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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      mso-layout-grid-align:none;text-autospace:none"><big><b
          style="mso-bidi-font-weight:
          normal"><span style="font-family:Garamond;color:black"><o:p> </o:p></span></b></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          font-variant:small-caps;color:black">3. Artpolitik Site launch<o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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          style="mso-bidi-font-weight:
          normal"><span style="font-family:Garamond;color:black"><o:p> </o:p></span></b></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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          style="font-family:Garamond;
          color:black">+++<b style="mso-bidi-font-weight:normal"><o:p></o:p></b></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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          style="mso-bidi-font-weight:
          normal"><span style="font-family:Garamond;color:black"><o:p> </o:p></span></b></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">1. <span style="font-variant:small-caps">New
            Titles</span><o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span
          style="font-family:Garamond;font-variant:small-caps">19
          & 20: Notes for a New Social Protagonism<o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond">Colectivo
          Situaciones<o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><i style="mso-bidi-font-style:normal"><span
            style="font-family:Garamond">An 18<sup>th</sup> Brumaire for
            the 21<sup>st</sup>
            Century: militant research on the December 19<sup>th</sup>
            and 20<sup>th</sup>,
            2001 uprisings in Argentina… </span></i><span
          style="font-family:Garamond">In
          the heat of an economic and political crisis, people in
          Argentina took to the
          streets on December 19<sup>th</sup>, 2001, shouting <i
            style="mso-bidi-font-style:
            normal">“¡Qué se vayan todos!”</i> These words – “All of
          them out!” – hurled by
          thousands banging pots and pans, struck at every politician,
          economist, and
          journalist. These events opened a period of intense social
          unrest and political
          creativity that led to the collapse of government after
          government.
          Neighborhoods organized themselves into hundreds of popular
          assemblies across
          the country, the unemployed workers movement acquired a new
          visibility, workers
          took over factories and businesses. These events marked a sea
          change, a before
          and an after for Argentina that resonated around the world.<i
            style="mso-bidi-font-style:
            normal"><o:p></o:p></i></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond">Colectivo
          Situaciones wrote this book in the heat of that December’s
          aftermath. As
          radicals immersed within the long process of reflection and
          experimentation
          with forms of counterpower that Argentines practiced in shadow
          of neoliberal
          rule, Colectivo Situaciones knew that the novelty of the
          events of December
          19th and 20th demanded new forms of thinking and research.
          This book attempts
          to read those struggles from within. Ten years have passed,
          yet the book
          remains as relevant and as fresh as the day it came out.
          Multitudes of citizens
          from different countries have learned their own ways to chant
          <i style="mso-bidi-font-style:normal">¡Qué se vayan todos!</i>,
          from Iceland to
          Tunisia, from Spain to Greece, from Tahrir Square to Zuccotti
          Park. Colectivo
          Situactiones’ practice of engaging with movements’ own thought
          processes
          resonates with everyone seeking to think current events and
          movements, and
          through that to build a new world in the shell of the old.<span
            style="color:black"><o:p></o:p></span></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><a
            href="http://www.minorcompositions.info/?p=331">More
            information</a><o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">Buy the book <a
href="http://bookstore.autonomedia.org/index.php?main_page=pubs_product_book_info&cPath=71&products_id=682">here</a><o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">+++<o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span
          style="font-family:Garamond;font-variant:small-caps">The
          El Martillo Project<o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond">Eclectic
          Electric
          Collective<o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond">In 2010
          an inconspicuous
          looking suitcase was sent from Berlin to Mexico City
          containing a 39-foot tall
          inflatable silver hammer. Thus began <i
            style="mso-bidi-font-style:normal">El
            Martillo</i>’<i style="mso-bidi-font-style:normal">s</i>
          odyssey to protest the
          United Nations Climate Conference in Cancún. <i
            style="mso-bidi-font-style:
            normal">El Martillo’s</i> short, but glorious life, climaxed
          when protesters
          from <i style="mso-bidi-font-style:normal">Marea Creciente</i>
          (Rising Tide)
          stormed the conference complex fences, gigantic hammer above
          their heads. In
          full view of the press Mexican police tore the inflatable to
          pieces. Within an
          hour global the media corporations declared <i
            style="mso-bidi-font-style:normal">El
            Martillo</i> a symbol of the climate changes protests as its
          image traveled
          across the world.<o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span
          style="font-family:Garamond;font-variant:small-caps">The
          El Martillo Project </span><span style="font-family:Garamond">documents
          the
          whole process from its conception and construction to the
          media flurry it
          sparked off. Included are numerous full color images and
          documentation of the
          project; texts and analysis by David Graeber, Alex Dunst, and
          Cristian
          Guerrero; an interview with John Jordan from the Laboratory of
          Insurrectionary
          Imagination; and a fold out technical manual and plan for
          creating giant
          inflatable hammers. <o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond"><a
            href="http://www.minorcompositions.info/?p=357">More
            information</a> <span style="color:black"><o:p></o:p></span></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">Buy the book <a
href="http://bookstore.autonomedia.org/index.php?main_page=pubs_product_book_info&cPath=71&products_id=687">here</a><o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">+++<o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="text-autospace:ideograph-numeric"><big><span
style="mso-bidi-font-size:13.0pt;font-family:Garamond;mso-bidi-font-family:
ArialNarrow-Bold;font-variant:small-caps;color:black;mso-bidi-font-weight:bold">Walking
Archives:
          The Soy Children<o:p></o:p></span></big></p>
    <p class="MsoNormal" style="text-autospace:ideograph-numeric"><big><span
style="mso-bidi-font-size:13.0pt;font-family:Garamond;mso-bidi-font-family:
          ArialNarrow-Bold;color:black;mso-bidi-font-weight:bold">Eduardo
          Molinari<o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond">“Eduardo
          Molinari has
          produced a compelling document demonstrating that the process
          of recombination
          can be wrenched from capital’s oppressive grip, and put to use
          to expose and
          critique its expansion from modern imperialism to a molecular
          invasion that
          establishes full spectrum biocolonization. Juxtaposing
          fragments of political
          and cultural history, political theory, mythology, and
          ecological study, in
          conjunction with personal memories and observations, Molinari
          produces an
          associational web that yields a long-awaited radicalization of
          relational
          aesthetics.” – Critical Art Ensemble<o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond">Who are
          children of
          genetically modified soy production? What disowned bastards
          are produced by the
          hybridization of agri-business, biotech, capital, and culture?<o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond">To
          answer these questions
          the <i style="mso-bidi-font-style:normal">Archivo Caminante</i>
          (Walking
          Archive) embarks on a trip through the opaque and strange
          world of genetically
          modified soya plants in Argentina in search of its
          inhabitants, forms and
          structures, languages and narratives: the forces that swirl
          around the soya
          rhizome.<span style="mso-spacerun: yes">  </span>In the style
          of <i style="mso-bidi-font-style:normal">Gulliver’s Travels</i>
          it makes visible some
          of the routes in the soya chain giving shape to a new
          international division of
          labor food policy in global semiocapitalism.<o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond">More
          than 50% of the
          cultivated lands in Argentina are for soya production, with
          90% of that area
          covered by Monsanto products and representatives. This
          agrarian system and its
          results are only possible using Roundup herbicide, the brand
          name of Monsanto’s
          glyphosate. The rhizome formed by soya production dives deep
          into the Argentine
          society: it organizes new political alliances, and, above all,
          modifies the
          social and cultural structure of the country. Is there a
          transgenic culture
          inside semiocapitalism? Does the soyazation process modify
          culture and society,
          or is it the other way around, and soyazation is only possible
          in a transgenic
          culture? <o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><a
            href="http://www.minorcompositions.info/?p=365">More
            information</a> <o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">Buy the book <a
href="http://bookstore.autonomedia.org/index.php?main_page=pubs_product_book_info&cPath=71&products_id=688">here</a><o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">+++<o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span
          style="font-family:Garamond;mso-bidi-font-family:Tahoma;
font-variant:small-caps;color:black;mso-fareast-language:EN-GB">Occupy
          Everything! Reflections on why it’s kicking off everywhere <o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span
          style="font-family:Garamond;mso-bidi-font-family:Tahoma;
          color:black;mso-fareast-language:EN-GB">Ed. Alessio Lunghi
          & Seth Wheeler</span><span style="font-family:Garamond"> <o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond">Penned
          after the 2010
          European student unrest and before what is now commonly
          referred to as the
          “Arab spring” began to escalate, BBC <i
            style="mso-bidi-font-style:normal">Newsnight
          </i>economist Paul Mason’s “20 Reasons Why It’s Kicking Off
          Everywhere” sought
          to establish an understanding of the motivations behind these
          globally
          disparate, yet somehow connected struggles.<o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond">What
          roles do the
          “graduate with no future,” the “digital native” or the
          “remainder of capital”
          play in the current wave of unrest? What are the ideas,
          ideologies, motivations
          or demands driving these movements? How is struggle organized
          and coordinated
          in the age of memetic politics and viral ad campaigns?<o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond">This
          collection of essays
          seeks to further explore Paul Mason’s original 20 Reasons in
          an attempt to
          better understand our turbulent present.<o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><a
            href="http://www.minorcompositions.info/?p=372">More
            information</a><o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">Buy the book <a
href="http://bookstore.autonomedia.org/index.php?main_page=pubs_product_book_info&cPath=71&products_id=686">here</a><o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">+++<o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          font-variant:small-caps;color:black">The Plastic Factory <o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">Ron Kolm<o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">“The quintessential short fiction of its time, <span
            style="font-variant:small-caps">The Plastic Factory’s</span>
          minimalist surface
          sits atop a terse inventory of the inner costs of living
          outside the
          professional managerial bullet train, looking through the
          display windows at
          the swatch-life, emerging with the antithesis of the
          yuppie-preppy sensibility.
          Every phrase glistens with the dull sheen of the bog slime
          rising all around
          these characters acting out the anomie of the soul in the
          Reagan era when the
          American Dream got hijacked from everyone outside that cozy 1%
          at the top of
          the food chain. This is the voice of their prey: listen up!” —
          Robert Siegle,
          author of Suburban <span style="font-variant:small-caps">Ambush:
            Downtown Writing
            and the Fiction of Insurgency</span><o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">Buy <a
href="http://bookstore.autonomedia.org/index.php?main_page=pubs_product_book_info&cPath=71&products_id=683">here</a><o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">+++<o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="line-height:108%"><big><span
          style="font-family:Garamond;
          font-variant:small-caps">Punkademics</span><span
          style="font-family:Garamond;
          font-variant:small-caps"><o:p></o:p></span></big></p>
    <p class="MsoNormal" style="line-height:108%"><big><span
          style="font-family:Garamond">Edited
          by Zack Furness</span><span style="font-family:Garamond"><o:p></o:p></span></big></p>
    <p class="MsoNormal" style="line-height:108%"><big><i
          style="mso-bidi-font-style:normal"><span
            style="font-family:Garamond"><o:p> </o:p></span></i></big></p>
    <p class="MsoNormal" style="line-height:108%"><big><i
          style="mso-bidi-font-style:normal"><span
            style="font-family:Garamond">The basement show in the ivory
            tower... </span></i><span style="font-family:Garamond">In
          the thirty years since Dick Hebdige published </span><span
          style="font-family:Garamond;font-variant:small-caps">Subculture:
          The Meaning of
          Style</span><span style="font-family:Garamond">, the seemingly
          antithetical
          worlds of punk rock and academia have converged in some rather
          interesting, if
          not peculiar, ways. A once marginal subculture documented in
          homemade ‘zines
          and three chord songs has become fodder for dozens of
          scholarly articles,
          books, PhD dissertations, and conversations amongst
          well-mannered conference
          panelists. At the same time, the academic ranks have been
          increasingly infiltrated
          by professors and graduate students whose educations began not
          in the
          classroom, but in the lyric sheets of 7” records and the
          cramped confines of
          all-ages shows.</span><i style="mso-bidi-font-style:normal"><span
            style="font-family:Garamond"><o:p></o:p></span></i></big></p>
    <p class="MsoNormal" style="line-height:108%"><big><span
          style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="line-height:108%"><big><span
          style="font-family:Garamond;
          font-variant:small-caps">Punkademics </span><span
          style="font-family:Garamond">explores
          these varied intersections by giving voice to some of the
          people who arguably
          best understand the odd bedfellows of punk and academia. In
          addition to being
          one of the first edited collections of scholarly work on punk,
          it is a timely
          book that features original essays, interviews, and select
          reprints from
          notable writers, musicians, visual artists, and emerging
          talents who actively
          cut & paste the boundaries between punk culture, politics,
          and higher
          education. </span><span style="font-family:Garamond"><o:p></o:p></span></big></p>
    <p class="MsoNormal" style="line-height:108%"><big><span
          style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="line-height:108%"><big><b
          style="mso-bidi-font-weight:
          normal"><span style="font-family:Garamond">Contributors:</span></b><span
          style="font-family:Garamond"> Milo J. Aukerman, Maria Elena
          Buszek, Zack
          Furness, Alastair Gordon, Ross Haenfler, Curry Malott, Dylan
          AT Miner, Ryan
          Moore, Tavia Nyong’o, Mimi Thi Nguyen, Alan O’Connor, Waleed
          Rashidi, Helen L.
          Reddington, Stevphen Shukaitis, Michael Siciliano, Rubén
          Ortiz-Torres, Estrella
          Torrez, Daniel S. Traber, and Brian Tucker.</span><span
          style="font-family:
          Garamond"><o:p></o:p></span></big></p>
    <p class="MsoNormal" style="line-height:108%"><big><span
          style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="text-align:justify"><big><span
          style="font-family:Garamond"><a
            href="http://www.minorcompositions.info/?p=436">More
            information</a> <o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">Buy the book <a
href="http://bookstore.autonomedia.org/index.php?main_page=pubs_product_book_info&cPath=71&products_id=689">here</a><o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">+++<o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond">2. <span
            style="font-variant:small-caps">UK Punkademics Release Event<o:p></o:p></span></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span
          style="font-family:Garamond;font-variant:small-caps">Here’s
          Three Chords, Now Form a Journal <o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond">:: A
          Book Release /
          Discussion :: Brighton, June 7<sup>th</sup>, 2012 ::<o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><a
            href="http://www.cowleyclub.org.uk">Cowley Club</a>, 6PM: 12
          London Road
          Brighton BN1 4JA<o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond">Book
          Release &
          Discussion with McKenzie Wark, Richard Gilman-Opalsky, and
          Stevphen Shukaitis<o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond">T</span><span
          style="font-family:Garamond">he academic ranks have been
          increasingly
          infiltrated by professors and graduate students whose
          educations began not in
          the classroom, but in the lyric sheets of 7” records and the
          cramped confines
          of all-ages shows. And taking up the call to learn three
          chords and form a
          band, academics in recent years have extended DIY tactics into
          the academic
          world in terms of anything from autonomous publishing to free
          schools.</span><span style="font-family:Garamond"> Come join
          us to celebrate the release of <i
            style="mso-bidi-font-style:normal">Punkademics</i>, a
          collection of essays
          exploring the bastard convergences-mutations of punk rock and
          the academy.</span><span style="font-family:Garamond"><o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><a
            href="http://www.facebook.com/events/387680207937772/">Facebook
            event page</a><o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond">Event
          planned in
          conjunction with the <a
            href="http://situationist-aesthetics.blogspot.co.uk">Situationist
Aesthetics
            conference</a>, which will take place at the University of
          Sussex on
          June 8<sup>th</sup>.<o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">+++<o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">3. <span style="font-variant:small-caps">Artpolitik
            Site Launch</span><o:p></o:p></span></big></p>
    <p class="MsoNormal" style="line-height:115%"><big><span
          style="font-family:Garamond">Inspired
          by the Institute for the Future of the Book, Minor
          Compositions is launching a
          digital form for the forthcoming book <span
            style="font-variant:small-caps">Artpolitik:
            Social Anarchist Aesthetics in an Age of Fragmentation </span>by
          Neala
          Schleuning.<b style="mso-bidi-font-weight:normal"> </b>Over
          the next month the
          entirety of the draft manuscript will be posted <a
            href="http://artpolitik.digress.it">here</a>. <b
            style="mso-bidi-font-weight:
            normal"><o:p></o:p></b></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond">Comments
          and discussions
          will be integrated into revisions of the book before it is
          printed later this
          year (which will, as with all other Minor Compositions titles,
          be available for
          free download).<o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span
          style="font-family:Garamond;font-variant:small-caps">Description
of
          the project:<o:p></o:p></span></big></p>
    <p class="MsoListParagraph"
      style="margin-top:0in;margin-right:-49.35pt;
margin-bottom:0in;margin-left:0in;margin-bottom:.0001pt;mso-add-space:auto"><big><span
          style="font-family:Garamond;font-variant:small-caps">Artpolitik
        </span><span style="font-family:Garamond">examines the
          relationship between art and
          politics, focusing on radical political aesthetics in western
          culture since the
          end of the nineteenth century.<span style="mso-spacerun: yes"> 
          </span>Drawing from Surrealism, Socialist Realism, the
          Situationist
          International, capitalist consumer aesthetics, and critical
          theory, Neala Schleuning
          elaborates a social anarchist approach to aesthetics.<o:p></o:p></span></big></p>
    <p class="MsoNormal"><big><span
          style="font-family:Garamond;color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal"><big><span style="font-family:Garamond">+++<o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">That is all for now. More to follow shortly. <o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">Cheers<o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
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      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black">Stevphen<o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><o:p> </o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          font-variant:small-caps;color:black">--<o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          font-variant:small-caps;color:black">:: Autonomedia::
          Seditious & Delicious
          ::<o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><a class="moz-txt-link-freetext" href="http://www.autonomedia.org">http://www.autonomedia.org</a><o:p></o:p></span></big></p>
    <p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
      56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
      280.0pt 308.0pt 336.0pt;
      mso-layout-grid-align:none;text-autospace:none"><big><span
          style="font-family:Garamond;
          color:black"><a class="moz-txt-link-freetext" href="http://www.myspace.com/autonomedia">http://www.myspace.com/autonomedia</a><o:p></o:p></span></big></p>
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p.MsoListParagraph, li.MsoListParagraph, div.MsoListParagraph
        {margin-top:0in;
        margin-right:0in;
        margin-bottom:0in;
        margin-left:.5in;
        margin-bottom:.0001pt;
        mso-add-space:auto;
        mso-pagination:widow-orphan;
        font-size:12.0pt;
        mso-bidi-font-size:10.0pt;
        font-family:"Times New Roman";
        mso-fareast-font-family:"Times New Roman";
        mso-bidi-font-family:"Times New Roman";
        mso-ansi-language:EN-US;
        mso-fareast-language:EN-US;}
p.MsoListParagraphCxSpFirst, li.MsoListParagraphCxSpFirst, div.MsoListParagraphCxSpFirst
        {mso-style-type:export-only;
        margin-top:0in;
        margin-right:0in;
        margin-bottom:0in;
        margin-left:.5in;
        margin-bottom:.0001pt;
        mso-add-space:auto;
        mso-pagination:widow-orphan;
        font-size:12.0pt;
        mso-bidi-font-size:10.0pt;
        font-family:"Times New Roman";
        mso-fareast-font-family:"Times New Roman";
        mso-bidi-font-family:"Times New Roman";
        mso-ansi-language:EN-US;
        mso-fareast-language:EN-US;}
p.MsoListParagraphCxSpMiddle, li.MsoListParagraphCxSpMiddle, div.MsoListParagraphCxSpMiddle
        {mso-style-type:export-only;
        margin-top:0in;
        margin-right:0in;
        margin-bottom:0in;
        margin-left:.5in;
        margin-bottom:.0001pt;
        mso-add-space:auto;
        mso-pagination:widow-orphan;
        font-size:12.0pt;
        mso-bidi-font-size:10.0pt;
        font-family:"Times New Roman";
        mso-fareast-font-family:"Times New Roman";
        mso-bidi-font-family:"Times New Roman";
        mso-ansi-language:EN-US;
        mso-fareast-language:EN-US;}
p.MsoListParagraphCxSpLast, li.MsoListParagraphCxSpLast, div.MsoListParagraphCxSpLast
        {mso-style-type:export-only;
        margin-top:0in;
        margin-right:0in;
        margin-bottom:0in;
        margin-left:.5in;
        margin-bottom:.0001pt;
        mso-add-space:auto;
        mso-pagination:widow-orphan;
        font-size:12.0pt;
        mso-bidi-font-size:10.0pt;
        font-family:"Times New Roman";
        mso-fareast-font-family:"Times New Roman";
        mso-bidi-font-family:"Times New Roman";
        mso-ansi-language:EN-US;
        mso-fareast-language:EN-US;}
span.BalloonTextChar
        {mso-style-name:"Balloon Text Char";
        mso-style-noshow:yes;
        mso-style-locked:yes;
        mso-style-link:"Balloon Text";
        mso-ansi-font-size:9.0pt;
        mso-bidi-font-size:9.0pt;
        font-family:"Lucida Grande";
        mso-ascii-font-family:"Lucida Grande";
        mso-fareast-font-family:"Times New Roman";
        mso-hansi-font-family:"Lucida Grande";}
span.CommentTextChar
        {mso-style-name:"Comment Text Char";
        mso-style-noshow:yes;
        mso-style-locked:yes;
        mso-style-link:"Comment Text";
        mso-ansi-font-size:12.0pt;
        mso-bidi-font-size:12.0pt;
        font-family:"Times New Roman";
        mso-ascii-font-family:"Times New Roman";
        mso-fareast-font-family:"Times New Roman";
        mso-hansi-font-family:"Times New Roman";}
span.CommentSubjectChar
        {mso-style-name:"Comment Subject Char";
        mso-style-noshow:yes;
        mso-style-locked:yes;
        mso-style-parent:"Comment Text Char";
        mso-style-link:"Comment Subject";
        mso-ansi-font-size:12.0pt;
        mso-bidi-font-size:12.0pt;
        font-family:"Times New Roman";
        mso-ascii-font-family:"Times New Roman";
        mso-fareast-font-family:"Times New Roman";
        mso-hansi-font-family:"Times New Roman";}
span.EndnoteTextChar
        {mso-style-name:"Endnote Text Char";
        mso-style-locked:yes;
        mso-style-link:"Endnote Text";
        font-family:Calibri;
        mso-ascii-font-family:Calibri;
        mso-fareast-font-family:Calibri;
        mso-hansi-font-family:Calibri;
        mso-ansi-language:X-NONE;
        mso-fareast-language:X-NONE;}
@page Section1
        {size:595.0pt 842.0pt;
        margin:1.0in 1.0in 1.0in 1.0in;
        mso-header-margin:.5in;
        mso-footer-margin:.5in;
        mso-paper-source:0;}
div.Section1
        {page:Section1;}
 /* List Definitions */
@list l0
        {mso-list-id:568617842;
        mso-list-type:hybrid;
        mso-list-template-ids:1398568508 984073 1639433 1770505 984073 1639433 1770505 984073 1639433 1770505;}
@list l0:level1
        {mso-level-tab-stop:.5in;
        mso-level-number-position:left;
        text-indent:-.25in;}
@list l1
        {mso-list-id:1385761490;
        mso-list-type:hybrid;
        mso-list-template-ids:2135833814 452767714 197641 328713 66569 197641 328713 66569 197641 328713;}
@list l1:level1
        {mso-level-start-at:0;
        mso-level-number-format:bullet;
        mso-level-text:–;
        mso-level-tab-stop:.5in;
        mso-level-number-position:left;
        text-indent:-.25in;
        font-family:Garamond;
        mso-fareast-font-family:"Times New Roman";
        color:black;
        mso-font-width:0%;}
ol
        {margin-bottom:0in;}
ul
        {margin-bottom:0in;}
-->
</style>
  </body>
</html>