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<big><span style="font-family:Garamond;
color:black">Greetings Autonogram Subscribers,<o:p></o:p></span></big></big><!--[if gte mso 9]><xml>
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<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">It’s June again with the school year nearing its
end, while in
Quebec students continue to carry on their unlimited general
strike (which has
gone on for well over 100 days now). Both of those events call
out for some
hope and joy, and an update on recent publications and news
from Autono-land.
Without further delay, here they are:<o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
font-variant:small-caps;color:black">1. New Titles: 19 &
20: Notes for a
New Social Protagonism; The El Martillo Project; Walking
Archives: The Soy
Children; Occupy Everything! Reflections on why it’s kicking
off everywhere;
Plastic Factory; and Punkademics.<o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 2.0in;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">2. <span style="font-variant:small-caps">Punkademics
Release Event<span style="mso-tab-count:1"> </span><span
style="mso-tab-count:1"> </span><o:p></o:p></span></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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mso-layout-grid-align:none;text-autospace:none"><big><b
style="mso-bidi-font-weight:
normal"><span style="font-family:Garamond;color:black"><o:p> </o:p></span></b></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
font-variant:small-caps;color:black">3. Artpolitik Site launch<o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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style="mso-bidi-font-weight:
normal"><span style="font-family:Garamond;color:black"><o:p> </o:p></span></b></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
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mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">+++<b style="mso-bidi-font-weight:normal"><o:p></o:p></b></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><b
style="mso-bidi-font-weight:
normal"><span style="font-family:Garamond;color:black"><o:p> </o:p></span></b></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
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mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">1. <span style="font-variant:small-caps">New
Titles</span><o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span
style="font-family:Garamond;font-variant:small-caps">19
& 20: Notes for a New Social Protagonism<o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond">Colectivo
Situaciones<o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><i style="mso-bidi-font-style:normal"><span
style="font-family:Garamond">An 18<sup>th</sup> Brumaire for
the 21<sup>st</sup>
Century: militant research on the December 19<sup>th</sup>
and 20<sup>th</sup>,
2001 uprisings in Argentina… </span></i><span
style="font-family:Garamond">In
the heat of an economic and political crisis, people in
Argentina took to the
streets on December 19<sup>th</sup>, 2001, shouting <i
style="mso-bidi-font-style:
normal">“¡Qué se vayan todos!”</i> These words – “All of
them out!” – hurled by
thousands banging pots and pans, struck at every politician,
economist, and
journalist. These events opened a period of intense social
unrest and political
creativity that led to the collapse of government after
government.
Neighborhoods organized themselves into hundreds of popular
assemblies across
the country, the unemployed workers movement acquired a new
visibility, workers
took over factories and businesses. These events marked a sea
change, a before
and an after for Argentina that resonated around the world.<i
style="mso-bidi-font-style:
normal"><o:p></o:p></i></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond">Colectivo
Situaciones wrote this book in the heat of that December’s
aftermath. As
radicals immersed within the long process of reflection and
experimentation
with forms of counterpower that Argentines practiced in shadow
of neoliberal
rule, Colectivo Situaciones knew that the novelty of the
events of December
19th and 20th demanded new forms of thinking and research.
This book attempts
to read those struggles from within. Ten years have passed,
yet the book
remains as relevant and as fresh as the day it came out.
Multitudes of citizens
from different countries have learned their own ways to chant
<i style="mso-bidi-font-style:normal">¡Qué se vayan todos!</i>,
from Iceland to
Tunisia, from Spain to Greece, from Tahrir Square to Zuccotti
Park. Colectivo
Situactiones’ practice of engaging with movements’ own thought
processes
resonates with everyone seeking to think current events and
movements, and
through that to build a new world in the shell of the old.<span
style="color:black"><o:p></o:p></span></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><a
href="http://www.minorcompositions.info/?p=331">More
information</a><o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">Buy the book <a
href="http://bookstore.autonomedia.org/index.php?main_page=pubs_product_book_info&cPath=71&products_id=682">here</a><o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">+++<o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span
style="font-family:Garamond;font-variant:small-caps">The
El Martillo Project<o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond">Eclectic
Electric
Collective<o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond">In 2010
an inconspicuous
looking suitcase was sent from Berlin to Mexico City
containing a 39-foot tall
inflatable silver hammer. Thus began <i
style="mso-bidi-font-style:normal">El
Martillo</i>’<i style="mso-bidi-font-style:normal">s</i>
odyssey to protest the
United Nations Climate Conference in Cancún. <i
style="mso-bidi-font-style:
normal">El Martillo’s</i> short, but glorious life, climaxed
when protesters
from <i style="mso-bidi-font-style:normal">Marea Creciente</i>
(Rising Tide)
stormed the conference complex fences, gigantic hammer above
their heads. In
full view of the press Mexican police tore the inflatable to
pieces. Within an
hour global the media corporations declared <i
style="mso-bidi-font-style:normal">El
Martillo</i> a symbol of the climate changes protests as its
image traveled
across the world.<o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span
style="font-family:Garamond;font-variant:small-caps">The
El Martillo Project </span><span style="font-family:Garamond">documents
the
whole process from its conception and construction to the
media flurry it
sparked off. Included are numerous full color images and
documentation of the
project; texts and analysis by David Graeber, Alex Dunst, and
Cristian
Guerrero; an interview with John Jordan from the Laboratory of
Insurrectionary
Imagination; and a fold out technical manual and plan for
creating giant
inflatable hammers. <o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond"><a
href="http://www.minorcompositions.info/?p=357">More
information</a> <span style="color:black"><o:p></o:p></span></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">Buy the book <a
href="http://bookstore.autonomedia.org/index.php?main_page=pubs_product_book_info&cPath=71&products_id=687">here</a><o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">+++<o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
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mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="text-autospace:ideograph-numeric"><big><span
style="mso-bidi-font-size:13.0pt;font-family:Garamond;mso-bidi-font-family:
ArialNarrow-Bold;font-variant:small-caps;color:black;mso-bidi-font-weight:bold">Walking
Archives:
The Soy Children<o:p></o:p></span></big></p>
<p class="MsoNormal" style="text-autospace:ideograph-numeric"><big><span
style="mso-bidi-font-size:13.0pt;font-family:Garamond;mso-bidi-font-family:
ArialNarrow-Bold;color:black;mso-bidi-font-weight:bold">Eduardo
Molinari<o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond">“Eduardo
Molinari has
produced a compelling document demonstrating that the process
of recombination
can be wrenched from capital’s oppressive grip, and put to use
to expose and
critique its expansion from modern imperialism to a molecular
invasion that
establishes full spectrum biocolonization. Juxtaposing
fragments of political
and cultural history, political theory, mythology, and
ecological study, in
conjunction with personal memories and observations, Molinari
produces an
associational web that yields a long-awaited radicalization of
relational
aesthetics.” – Critical Art Ensemble<o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond">Who are
children of
genetically modified soy production? What disowned bastards
are produced by the
hybridization of agri-business, biotech, capital, and culture?<o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond">To
answer these questions
the <i style="mso-bidi-font-style:normal">Archivo Caminante</i>
(Walking
Archive) embarks on a trip through the opaque and strange
world of genetically
modified soya plants in Argentina in search of its
inhabitants, forms and
structures, languages and narratives: the forces that swirl
around the soya
rhizome.<span style="mso-spacerun: yes"> </span>In the style
of <i style="mso-bidi-font-style:normal">Gulliver’s Travels</i>
it makes visible some
of the routes in the soya chain giving shape to a new
international division of
labor food policy in global semiocapitalism.<o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond">More
than 50% of the
cultivated lands in Argentina are for soya production, with
90% of that area
covered by Monsanto products and representatives. This
agrarian system and its
results are only possible using Roundup herbicide, the brand
name of Monsanto’s
glyphosate. The rhizome formed by soya production dives deep
into the Argentine
society: it organizes new political alliances, and, above all,
modifies the
social and cultural structure of the country. Is there a
transgenic culture
inside semiocapitalism? Does the soyazation process modify
culture and society,
or is it the other way around, and soyazation is only possible
in a transgenic
culture? <o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
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280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><a
href="http://www.minorcompositions.info/?p=365">More
information</a> <o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">Buy the book <a
href="http://bookstore.autonomedia.org/index.php?main_page=pubs_product_book_info&cPath=71&products_id=688">here</a><o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">+++<o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span
style="font-family:Garamond;mso-bidi-font-family:Tahoma;
font-variant:small-caps;color:black;mso-fareast-language:EN-GB">Occupy
Everything! Reflections on why it’s kicking off everywhere <o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span
style="font-family:Garamond;mso-bidi-font-family:Tahoma;
color:black;mso-fareast-language:EN-GB">Ed. Alessio Lunghi
& Seth Wheeler</span><span style="font-family:Garamond"> <o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond">Penned
after the 2010
European student unrest and before what is now commonly
referred to as the
“Arab spring” began to escalate, BBC <i
style="mso-bidi-font-style:normal">Newsnight
</i>economist Paul Mason’s “20 Reasons Why It’s Kicking Off
Everywhere” sought
to establish an understanding of the motivations behind these
globally
disparate, yet somehow connected struggles.<o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond">What
roles do the
“graduate with no future,” the “digital native” or the
“remainder of capital”
play in the current wave of unrest? What are the ideas,
ideologies, motivations
or demands driving these movements? How is struggle organized
and coordinated
in the age of memetic politics and viral ad campaigns?<o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond">This
collection of essays
seeks to further explore Paul Mason’s original 20 Reasons in
an attempt to
better understand our turbulent present.<o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><a
href="http://www.minorcompositions.info/?p=372">More
information</a><o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">Buy the book <a
href="http://bookstore.autonomedia.org/index.php?main_page=pubs_product_book_info&cPath=71&products_id=686">here</a><o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">+++<o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
font-variant:small-caps;color:black">The Plastic Factory <o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">Ron Kolm<o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">“The quintessential short fiction of its time, <span
style="font-variant:small-caps">The Plastic Factory’s</span>
minimalist surface
sits atop a terse inventory of the inner costs of living
outside the
professional managerial bullet train, looking through the
display windows at
the swatch-life, emerging with the antithesis of the
yuppie-preppy sensibility.
Every phrase glistens with the dull sheen of the bog slime
rising all around
these characters acting out the anomie of the soul in the
Reagan era when the
American Dream got hijacked from everyone outside that cozy 1%
at the top of
the food chain. This is the voice of their prey: listen up!” —
Robert Siegle,
author of Suburban <span style="font-variant:small-caps">Ambush:
Downtown Writing
and the Fiction of Insurgency</span><o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">Buy <a
href="http://bookstore.autonomedia.org/index.php?main_page=pubs_product_book_info&cPath=71&products_id=683">here</a><o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">+++<o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="line-height:108%"><big><span
style="font-family:Garamond;
font-variant:small-caps">Punkademics</span><span
style="font-family:Garamond;
font-variant:small-caps"><o:p></o:p></span></big></p>
<p class="MsoNormal" style="line-height:108%"><big><span
style="font-family:Garamond">Edited
by Zack Furness</span><span style="font-family:Garamond"><o:p></o:p></span></big></p>
<p class="MsoNormal" style="line-height:108%"><big><i
style="mso-bidi-font-style:normal"><span
style="font-family:Garamond"><o:p> </o:p></span></i></big></p>
<p class="MsoNormal" style="line-height:108%"><big><i
style="mso-bidi-font-style:normal"><span
style="font-family:Garamond">The basement show in the ivory
tower... </span></i><span style="font-family:Garamond">In
the thirty years since Dick Hebdige published </span><span
style="font-family:Garamond;font-variant:small-caps">Subculture:
The Meaning of
Style</span><span style="font-family:Garamond">, the seemingly
antithetical
worlds of punk rock and academia have converged in some rather
interesting, if
not peculiar, ways. A once marginal subculture documented in
homemade ‘zines
and three chord songs has become fodder for dozens of
scholarly articles,
books, PhD dissertations, and conversations amongst
well-mannered conference
panelists. At the same time, the academic ranks have been
increasingly infiltrated
by professors and graduate students whose educations began not
in the
classroom, but in the lyric sheets of 7” records and the
cramped confines of
all-ages shows.</span><i style="mso-bidi-font-style:normal"><span
style="font-family:Garamond"><o:p></o:p></span></i></big></p>
<p class="MsoNormal" style="line-height:108%"><big><span
style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="line-height:108%"><big><span
style="font-family:Garamond;
font-variant:small-caps">Punkademics </span><span
style="font-family:Garamond">explores
these varied intersections by giving voice to some of the
people who arguably
best understand the odd bedfellows of punk and academia. In
addition to being
one of the first edited collections of scholarly work on punk,
it is a timely
book that features original essays, interviews, and select
reprints from
notable writers, musicians, visual artists, and emerging
talents who actively
cut & paste the boundaries between punk culture, politics,
and higher
education. </span><span style="font-family:Garamond"><o:p></o:p></span></big></p>
<p class="MsoNormal" style="line-height:108%"><big><span
style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="line-height:108%"><big><b
style="mso-bidi-font-weight:
normal"><span style="font-family:Garamond">Contributors:</span></b><span
style="font-family:Garamond"> Milo J. Aukerman, Maria Elena
Buszek, Zack
Furness, Alastair Gordon, Ross Haenfler, Curry Malott, Dylan
AT Miner, Ryan
Moore, Tavia Nyong’o, Mimi Thi Nguyen, Alan O’Connor, Waleed
Rashidi, Helen L.
Reddington, Stevphen Shukaitis, Michael Siciliano, Rubén
Ortiz-Torres, Estrella
Torrez, Daniel S. Traber, and Brian Tucker.</span><span
style="font-family:
Garamond"><o:p></o:p></span></big></p>
<p class="MsoNormal" style="line-height:108%"><big><span
style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="text-align:justify"><big><span
style="font-family:Garamond"><a
href="http://www.minorcompositions.info/?p=436">More
information</a> <o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">Buy the book <a
href="http://bookstore.autonomedia.org/index.php?main_page=pubs_product_book_info&cPath=71&products_id=689">here</a><o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">+++<o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond">2. <span
style="font-variant:small-caps">UK Punkademics Release Event<o:p></o:p></span></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span
style="font-family:Garamond;font-variant:small-caps">Here’s
Three Chords, Now Form a Journal <o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond">:: A
Book Release /
Discussion :: Brighton, June 7<sup>th</sup>, 2012 ::<o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><a
href="http://www.cowleyclub.org.uk">Cowley Club</a>, 6PM: 12
London Road
Brighton BN1 4JA<o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond">Book
Release &
Discussion with McKenzie Wark, Richard Gilman-Opalsky, and
Stevphen Shukaitis<o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond">T</span><span
style="font-family:Garamond">he academic ranks have been
increasingly
infiltrated by professors and graduate students whose
educations began not in
the classroom, but in the lyric sheets of 7” records and the
cramped confines
of all-ages shows. And taking up the call to learn three
chords and form a
band, academics in recent years have extended DIY tactics into
the academic
world in terms of anything from autonomous publishing to free
schools.</span><span style="font-family:Garamond"> Come join
us to celebrate the release of <i
style="mso-bidi-font-style:normal">Punkademics</i>, a
collection of essays
exploring the bastard convergences-mutations of punk rock and
the academy.</span><span style="font-family:Garamond"><o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><a
href="http://www.facebook.com/events/387680207937772/">Facebook
event page</a><o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond">Event
planned in
conjunction with the <a
href="http://situationist-aesthetics.blogspot.co.uk">Situationist
Aesthetics
conference</a>, which will take place at the University of
Sussex on
June 8<sup>th</sup>.<o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">+++<o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">3. <span style="font-variant:small-caps">Artpolitik
Site Launch</span><o:p></o:p></span></big></p>
<p class="MsoNormal" style="line-height:115%"><big><span
style="font-family:Garamond">Inspired
by the Institute for the Future of the Book, Minor
Compositions is launching a
digital form for the forthcoming book <span
style="font-variant:small-caps">Artpolitik:
Social Anarchist Aesthetics in an Age of Fragmentation </span>by
Neala
Schleuning.<b style="mso-bidi-font-weight:normal"> </b>Over
the next month the
entirety of the draft manuscript will be posted <a
href="http://artpolitik.digress.it">here</a>. <b
style="mso-bidi-font-weight:
normal"><o:p></o:p></b></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond">Comments
and discussions
will be integrated into revisions of the book before it is
printed later this
year (which will, as with all other Minor Compositions titles,
be available for
free download).<o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span
style="font-family:Garamond;font-variant:small-caps">Description
of
the project:<o:p></o:p></span></big></p>
<p class="MsoListParagraph"
style="margin-top:0in;margin-right:-49.35pt;
margin-bottom:0in;margin-left:0in;margin-bottom:.0001pt;mso-add-space:auto"><big><span
style="font-family:Garamond;font-variant:small-caps">Artpolitik
</span><span style="font-family:Garamond">examines the
relationship between art and
politics, focusing on radical political aesthetics in western
culture since the
end of the nineteenth century.<span style="mso-spacerun: yes">
</span>Drawing from Surrealism, Socialist Realism, the
Situationist
International, capitalist consumer aesthetics, and critical
theory, Neala Schleuning
elaborates a social anarchist approach to aesthetics.<o:p></o:p></span></big></p>
<p class="MsoNormal"><big><span
style="font-family:Garamond;color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal"><big><span style="font-family:Garamond">+++<o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">That is all for now. More to follow shortly. <o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">Cheers<o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black">Stevphen<o:p></o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
color:black"><o:p> </o:p></span></big></p>
<p class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt
56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
font-variant:small-caps;color:black">--<o:p></o:p></span></big></p>
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56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in
280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><big><span
style="font-family:Garamond;
font-variant:small-caps;color:black">:: Autonomedia::
Seditious & Delicious
::<o:p></o:p></span></big></p>
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color:black"><a class="moz-txt-link-freetext" href="http://www.autonomedia.org">http://www.autonomedia.org</a><o:p></o:p></span></big></p>
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color:black"><a class="moz-txt-link-freetext" href="http://www.myspace.com/autonomedia">http://www.myspace.com/autonomedia</a><o:p></o:p></span></big></p>
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